Performance Samples – CON MOTO – CELLOS (KONTAKT)
Con Moto – Cellos is a string library recorded with movement in sustain, legato and attack / release.
The bowed sustain offers continuously expressed vibrato and emotions through approaches to performance and editing. resonating attack notes and carefully prepared release samples obtained from musical performance units turn into a game that provides a smooth change in the length of notes, similar to previous Performance Samples libraries.
In much the same spirit as in Oceania, Con Moto – Cellos continues to follow the path of “sampled energetic releases” and recognizes the endings of phrases in terms of performance as a critical tool element in the functionality of sampled releases. Transitions of legato-change of bow position cover all of this together, and when the entire library is presented musically, the result is an air ensemble with a coordination of phrases, vibrato and expression.
The bowed sustain offers continuously expressed vibrato and emotions through approaches to performance and editing. resonating attack notes and carefully prepared release samples obtained from musical performance units turn into a game that provides a smooth change in the length of notes, similar to previous Performance Samples libraries.
In much the same spirit as in Oceania, Con Moto – Cellos continues to follow the path of “sampled energetic releases” and recognizes the endings of phrases in terms of performance as a critical tool element in the functionality of sampled releases. Transitions of legato-change of bow position cover all of this together, and when the entire library is presented musically, the result is an air ensemble with a coordination of phrases, vibrato and expression.
Content:
Six cellos (primarily soloist and 1st-chair musicians) from the Capellen Orchestra
Three dynamic layers, from moderately soft to FFF
Bow-change legato con moto (legato with movement in the bowing and vibrato)
“Active-bow” sustains (non-static longs that move and evolve while simultaneously maintaining the dynamic / timbre)
Multiple attack types (hard and soft) triggered via velocity
Release samples that respond fluently to note-length variation *
Recorded in an ambient hall ** with multiple mic positions:
Close 1st-Chair
Close Section
Decca
Wide
48kHz / 24bit
NCW-compressed, ~ 2.14 GB total
Built for Kontakt 5.5.1 and above – full, retail version of Kontakt required
Three dynamic layers, from moderately soft to FFF
Bow-change legato con moto (legato with movement in the bowing and vibrato)
“Active-bow” sustains (non-static longs that move and evolve while simultaneously maintaining the dynamic / timbre)
Multiple attack types (hard and soft) triggered via velocity
Release samples that respond fluently to note-length variation *
Recorded in an ambient hall ** with multiple mic positions:
Close 1st-Chair
Close Section
Decca
Wide
48kHz / 24bit
NCW-compressed, ~ 2.14 GB total
Built for Kontakt 5.5.1 and above – full, retail version of Kontakt required
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